Yes my lovelies, I got to chat to the Royal milliner Rachel Trevor-Morgan, which was an amazing honour.
Rachel’s pieces jumped out at me whilst I was reading about the latest Ascot hats from this year, and I couldn’t wait to ask her how she got to design hats for the Queen…
* * *
You have a very broad range of pretty designs – how would you describe your style?
Feminine, glamorous, elegant, flattering.
What made you decide to become a milliner and how long have you been in business?
I must have been made subconsciously aware of hats by my mother’s love of them – she had a reputation for always wearing a wonderful creation on Sunday mornings. My childhood ambition was to become an actress and it is from this sense of the dramatic that my passion for millinery evolved. I served a traditional apprenticeship with Graham Smith, a brilliant milliner and a perfectionist; in my mind his workmanship is second to none. Learning my craft in his workroom was the best start I could have wished for, he offered a rigorous training in the disciplined craft of millinery whilst maintaining the individuality of design and flawless finish which are central to its art. This background gave me a strong base in couture millinery.
I am now entering my 19th year in business which sounds a frighteningly long time!
Read More Here
Rachel’s pieces jumped out at me whilst I was reading about the latest Ascot hats from this year, and I couldn’t wait to ask her how she got to design hats for the Queen…
* * *
You have a very broad range of pretty designs – how would you describe your style?
Feminine, glamorous, elegant, flattering.
What made you decide to become a milliner and how long have you been in business?
I must have been made subconsciously aware of hats by my mother’s love of them – she had a reputation for always wearing a wonderful creation on Sunday mornings. My childhood ambition was to become an actress and it is from this sense of the dramatic that my passion for millinery evolved. I served a traditional apprenticeship with Graham Smith, a brilliant milliner and a perfectionist; in my mind his workmanship is second to none. Learning my craft in his workroom was the best start I could have wished for, he offered a rigorous training in the disciplined craft of millinery whilst maintaining the individuality of design and flawless finish which are central to its art. This background gave me a strong base in couture millinery.
I am now entering my 19th year in business which sounds a frighteningly long time!
Read More Here